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The saddest thing about it is that there was a lot of potential.
#ERBSEN AUF HALB 6 FILMHEFT MOVIE#
Still with all this seeming arbitrariness of the plot, the movie managed to be completely predictable. One unbelievable event followed the next (Russia must be very small because they are all bumping into each other all the time), the motivation of the female lead character comprehensible (why does she still follow him after they got off the ship? Why doesn't she try to borrow a mobile phone on the ship to call somebody?), the side stories were completely ridiculous (was the story with the mother and the boyfriend supposed to be funny? And what was the story with the younger sister about?). However, somewhere in the middle it seemed like the script writers didn't know where to go from there. This film started out very promising with the story about a director who loses his sight and a blind woman who is bound to help him. Almost all of it was shot in Germany, with a bleak East Germany playing the role of Russia. It's worth it for this sensuous and moving experience. When you wonder why the characters never seem to eat, for example, and start thinking that certain events in the film are a bit of a stretch, remember that it is a fairy tale (Buechel's description) and suspend your disbelief. Emotionally, the film is a roller-coaster-Buechel packs a lot of grief and tension and hilarity and hope into two hours. Brilliant sound editing lets us hear what they hear-rain making music in water glasses, wind blowing curtains.
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Exquisite visuals-a field of yellow flowers, red sculptures on a seashore, a gorgeous new setting of "A Midsummer Night's Dream," expansive city vistas-show us what the lead characters can't see. Essentially, it's a fairy tale about two blind people who fall in love. This film (English title: Peas at 5:30) came to Minneapolis, MN as part of the Talk Cinema () series.